A brief, not a tag list.
Write it the way you would say it
“Something warm under a thirty-second voiceover.” “Tense, investigative, never resolves.” No keyword guessing and no tag menus to learn.
It answers with real cues
Every result is a track you can play on the spot, with its waveform, its versions and its licence options one click away.
Refine in place
Too dark, too busy, wrong era — say so and it searches again from what you just told it, rather than starting over.
Nothing to install
It lives on the licensing site and opens for anyone. A free account unlocks the deeper parts, like a cue’s alternate versions.
Write a brief the way you would brief a composer.
Say what is on screen
Who is there, what happens and where the cut lands. “A detective walks into a flooded basement” carries more than “dark”.
Say what it has to leave room for
A voiceover, dialogue, a logo at the end. Music that sits under a voice is a different search from music that carries the scene alone.
Give it a pace and a shape
Slow build, steady pulse, a hit on the reveal: how the music should move through the moment matters as much as its mood.
Then listen and answer back
Every result plays on the spot. When one is close, say what is close about it and what should change, and the next search starts from there.